Elanor Moss London, UK
Elanor Moss has shared new single ‘Sorry Song’, the beginning of a soundtrack cataloguing the aftermath of the events that inspired the ‘Citrus’ EP, and her growth as both a person and a songwriter in the wake of it.
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Flock (Deluxe Edition)
by Jane Weaver
supported by 13 fans who also own “Mary”
Well, does it live up to the hype? It's okay, not as good as 'Loops' or the 'Fenella' stuff; i doubt i'll be listening to it in full very often. Her mojo is waneing in my 'umble opinion.
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supported by 12 fans who also own “Mary”
The production's tastefully nice, and holy cow that's a hot band there. I don't know who's playing but check out the rhythm section on "A Common Tern" while the guitar skitters nicely over it and a synth pops up in the back--and that grand romantic swell in and then back out. Savage's voice goes down to the androgynous like Buckley's went up; her sound is glorious and it was a lovely choice to record her voice dry. The lyrics on this one grab my attention as well, evoking an age and place.
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Sound Of The Morning
by Katy J Pearson
supported by 12 fans who also own “Mary”
All of the immersive, rolling-water vocal styling and deeper conscience of the best of 70s AM radio classics, but with a more contemporary song structure. So good.
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Here in the Pitch
by Jessica Pratt
On her fourth album, Jessica Pratt blends up 60s pop and bossa nova into a spooky mix of soft psychedelia.
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Great Loveday Wonder : The Collected Demo Recordings
by Billy Childish / William Loveday Intention
From the always-great label Tompkins Square comes two-dozen plus demos from alt legend Billy Childish.
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Dakota Blue Moon
by Jackson Harden
Gorgeous acoustic Americana from North Carolina, stripped-back and sublime.
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